Image by Aram Balakjian from the linked article.
Words are coming out of my brain like thick sludge today, so I’ll keep it short. This piece called “Into The Zone: 4 days inside Chernobyl’s secretive ‘stalker’ subculture” crossed my feed today and I found it worth briefly responding to. The blocked off exclusion zone around the nuclear accident site creates a kind of permanent, ongoing disaster zone which attracts illegal visitors, including this subculture of young men who call themselves stalkers, naming themselves after Tarkovsky’s cult-classic film Stalker.
In a world that has been mapped, imaged and cataloged with satellite precision, the desire to discover wilderness becomes more pronounced. Modern normality becomes inescapable. The exclusion zone of Chernobyl represents a space off the map, an opportunity for wildness amidst the decaying ruins of the Soviet Union. I remember when the Chernobyl accident happened during my childhood, and the apocalyptic media images of a drifting radioactive cloud were potent fodder for my young imagination. The human imagination is drawn to disaster because of it’s rupturing of the normal, the feeling of possibility.
At the beginning of the